There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
There is no one single plan for how to abandon ship, since everything will depend on, well, everything. But something has to happen, because a giant piece of space trash will be headed toward Earth—albeit very, very slowly, and with the oversight of the world’s top space engineers and scientists. But still, a worrisome situation. Ideally, the US Deorbit Vehicle, our Dragon, will be ready to shepherd the ISS to the atmosphere, over a safe zone in the Pacific Ocean.
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В Финляндии предупредили об опасном шаге ЕС против России09:28
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我在北京同仁医院的病床上度过了一段难挨的时光。那时，经过三期的化疗，身上的淋巴瘤已然全部消失，但药物的副作用也明显地显现出来：厌食、失去味觉、便秘、失眠。何况，后面还有四期、五期、六期、七期，最终可能要八期的化疗等着我。可想而知，我的心绪是何等沮丧。“掐着指头数日子”“天花板像一页读腻了的书”，这是臧克家先生住院时写下的诗句，如今的我，每天都不得不默诵几遍。
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